001Massimo Scognamiglio: inside ROOMS
A long interview with Massimo Scognamiglio on his new ROOMS cycle: solitude, love, adolescence, digital painting, AI, torn paper and gold leaf.
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Painting, photography, performance, digital worlds. Follow the work across its borders.
15 entries
001
002Matteo Basilè: thirty years before the artificial image
From 1990s digital photography to Floramagnifica, Intermundia and Lumen et Ombra.
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003Francesco D’Isa: who is the author when the image wanders?
Generative error, latent space, copyright and responsibility.
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004Massimo Scognamiglio: artificial intelligence enters the edit
Thirteen films from 2023 to 2026: synthetic figures, surveillance, memory and psyche.
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005Punk Aristocracy in Cosenza: the photography exhibition returns ten years later
Acquistare Arte recommends Punk Aristocracy · 10 years by Massimo Scognamiglio, opening on 9 October 2026 at BlackShedBar in Cosenza.
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006Regina José Galindo: collecting performance through photography and video
Body, political violence and memory: what remains collectible after the action, from photographs and video to editions and documentation.
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007Cassils: the body as sculpture, performance as a collectible work
Endurance, trans identity and matter: photographs, films, sculptures and physical traces show how a Cassils performance enters a collection.
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008Ragnar Kjartansson: music, duration and collectible video installations
From The Visitors to Woman in E: how musical and durational actions become video installations, editions and works with precise protocols.
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009Xi Niu in Rome: seven routes through contemporary Chinese art at Rhinoceros
Curated by Claire Shiying Li, the exhibition brings together seven artistic practices and reads the Silk Road as a living space of exchange, identity and change.
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010Martin Bertelmann in Rome: Inside the First Image at Curva Pura
Photography, video and installation ask where an image begins and what remains of the physical print in digital circulation.
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011ART FOR ALL. Gilbert & George posters: quality, large editions and no investment promise
A clear guide to recognising a well-printed art poster, distinguishing it from a fine-art edition and buying Gilbert & George for visual quality rather than financial expectations.
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012Contemporary art photography under €1,500: how to choose a print
Edition, process, signature, provenance and care, with Cristina de Middel, Gregory Halpern, Nanna Heitmann and Yael Martínez as international examples.
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013Francesco D’Isa: generative images after the author gives up control
Philosopher, artist and writer: a practice using generative errors, latent spaces and artificial intelligence to question identity and authorship.
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014Arte da Rubare: for twenty years, the work has come alive by disappearing
The collective initiated by Marco “Canz52” Cantarelli leaves artworks in cities for passers-by to take and complete the performance.
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015Painting or photography? Choosing without a false hierarchy
Original, edition, technique and conservation: how to compare two different economies of the artwork.
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